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An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences. —Edith Wharton, The Age of Innocence (1920) |
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Our next events: The 2011 Lyrica Dialogues at Harvard: France the Lewd—France the Prude? Friday, April 8, 8:30—6PM, Pusey Room, The Memorial Church, Harvard Yard American Musicological Society Annual Conference, November 10-13, 2011, San Francisco Modern Language Association Annual Convention, Seattle, January 5-8, 2012 Our peer-reviewed journal, Ars Lyrica
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Cliquez-moi! |
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OUR NEXT EVENT The 2011 Lyrica Dialogues at Harvard: “France the Lewd—France the Prude?” Friday, April 8, 2011 8:30-6:00 PM Pusey Room, The Memorial Church, Harvard Yard
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WELCOME
to the Internet site of the Lyrica Society for
Word-Music Relations, an independent academic and artistic organization
which investigates the myriad of interactions between text and music.
Since its founding in 1981, Lyrica has grown to include nearly
500 members and member societies in North America, Europe, Asia and
Australia. At its conferences, Lyrica welcomes literary,
musicological and performance-practice research into word-music issues
crossing all historical periods, and enveloping all musical and
literary genres and cultural frameworks. Here is our Membership Form. For other inquiries regarding general information, memberships, or subscriptions, please e-mail lyricasociety@aol.com. Cordially, Paul-André Bempéchat, President |
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Lyrica Society for Word-Music
Relations, c/o Dr. Paul-André Bempéchat, Center for European Studies,
Harvard University |
Created: 14-Mar-2011 |
