Volume
|
Year
|
Contents
|
|
|
18
|
2009
|
An
Avant-Garde Look at Early Music: Luigi Nono's Thoughts on
Sixteenth-Century
Polyphony, by Katelijne Schiltz
1-17
Extant
Music for a Spanish Seventeenth-Century Religious Play: El
bruto
de Babilonia (The Brute of
Babylon)
(1652?), by George Yuri Porras
19-42
Musical
Consequences of Cultural Encounter: Nahua Influence on Early Mexican
Polyphony, by Timothy Watkins
43-62
The
Audience as Poet: Traditional Tunes and Contemporary Satire in
Eighteenth-Century
Ballad
Opera,
by
Vanessa
L.
Rogers
63-83
Common-Tone
Tonality and Schubert's Ihr Bild: A
Musical Parergon,
by Russell Knight
85-104
Wagner,
Nietzsche, and the Dionysian Tannhäuser, by
Stella P. Revard
105-114
Louise
Bertin's Fausto and Faust's Operatic
Debut in France:
A Love Story Revisited,
by Anne Marcoline
115-141
Mahler's
"Volkslieder als Wiener Bizarrerie," Molly M. Breckling
143-156
Toward
an Aesthetic of Resistance: Georges Auric's Quatre
Chants de la France
malheureuse, by Colin Roust
157-172
Unrecording Philomel: Taped Voice as
Schizophrenic Prosthesis,
by Christopher M. Barry
173-188
Metaphor
Transforms Perception: Highlighting American "New Folk" Singer-
Songwriters,
David
Roth
and
Peter
Mayer,
by
Lisa
Wersal
189-210
REVIEWS
Music
in the Words: Musical Form and Counterpoint in the Twentieth-Century
Novel,by Alan Shockley (Lawrence
Switzky)
211-213
Hildegard
of
Bingen's
Unknown
Language:
An
Edition,
Translation,
and
Discussion, by Sarah L. Higley
(Steven
Rozenski, Jr.)
213-214
The
Opera Lover's Companion, by Charles Osborne (Mark Herman)
214-220
Chant
and Its Origins, ed.Thomas Forest Kelly, and Oral and
Written
Transmission in Chant, ed.
Thomas Forrest
Kelly, and Sung Birds:
Music, Nature, and Poetry in the
Later Middle
Ages, by Elizabeth
Eva Leach (Andrew Albin)
220-224
Review
Essay: Echoes of the Twentieth Century, by Jeremy Wallach
An
essay-review
of
Echo & Reverb: Fabricating Space in
Popular Music
Recording, 1900-1960, by Peter
Doyle
225-229
Contributors 230-233
Style
Sheet and Guidelines for Contributors
235-236
|
|
|
17
|
2008
|
Ars LYRICA Celtica in
Memoriam Bernard Le Nail
In
Memoriam Bernard Le Nail
ii-v
Foreword,
by Timothy P. Bridgman
ix-xi
In
Search of Music and Song: The Field Diary
of Séamus Ennis, 1942-1946,
by Ríonach uí Ógáin
1-23
Two
Magical Arts: Music and Poetry in Irish and Welsh Mythology,
and Their 21st-Century
Reinterpretation, by
Natalie Kirschstein
25-43
Word
and Music in Medieval Cornish Drama, by Benjamin Bruch
45-74
The
Keening of Women and the Roar of the Pipe: From Clàrsach to Bagpipe,
ca 1600-1782, by Michael Newton and
Hugh
Cheape
75-95
Rekindling
Celtic Solidarity: The Abergavenny Eisteddfod of 1838 and the Birth
of Barzaz Breiz, by Paul-André
Bempéchat
97-129
A Midsummer Night's Dream: Toward a
Hermeneutic Understanding,
by Daniel Albright
131-227
REVIEWS
Prehistoric
Music of Ireland, by Simon O'Dwyer (Sharon Paice MacLeod)
229-232
Embellishing
the Liturgy: Tropes and Polyphony, by Alejandro Enrique
Planchart (Katarina Livljanic)
232-234
Frauenlob's
Song of Songs: A Medieval German Poet and His Masterpiece
by Barbara Newman (Julia Haag)
235-237
Performing
Piety: Musical Culture in Medieval English Nunneries,
by Anne Bagnall Yardley
(Steven Rozenski, Jr.)
237-240
William
Byrd and His Contemporaries: Essays and a Monograph,
by Philip Brett (Teresa Aynes
Batterson)
239
Music
and Sexuality in Britten: Selected Essays, by Philip Brett (Gail
Lowther) 240-243
Corrigenda
to Volume 16
244
Contributors
to this Volume
245-248
Style
Sheet and Guidelines for Contributors
249-251
|
|
|
16
|
2007
|
Defending
The Grand Duke, by Jeff S. Dailey
1-18
The
Umukoro Songs: Reflections from the Studio of the Composer,
by Wallace McClain Cheatham
19-27
Amy
Clampitt on Beethoven: Music, Memory, and Poetic Polyphony, by Jean
Kreiling
29-44
The Emperor Jones Meets Porgy and Bess: William
Grant Still,
Langston Hughes,
and their Troubled Island, by
Kimberly Fairbrother
Canton
45-55
Discovering
"Musical Impressionism" by Way of Eichendorff and Schumann:
Wolf and Pfitzner at the Threshold,
by Jürgen
Thym
57-85
"... so würde sie noch besser auf den
Text gemacht seyn": Zonca, Raaff,
and Mozart's First Aria for Idomeneo, by Bruce Brown
87-108
The
Songs in Agustin Moreto's La vida de San
Alejo: Their Function and Significance,
by Yuri Porras
109-129
Reconsidering
Rousseau's Le devin du village: An
Opera of Surprising
and Valuable Paradox, by Edward Green
131-163
REVIEWS
165-195
Opera
and the Novel: The Case of Henry James, ed. Walter Bernhart,
by Michael Halliwell (Mark Herman)
165-167
Opera:
The Art of Dying, by Linda Hutcheon and Michael Hutcheon
(Mark Herman)
168-169
Three
Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic
in Così fan tutte, by Edmund J. Goehring (Edward
Green)
169-175
Liber
amicorum Isabell Cazeaus: Symbols Parallels and Discoveries
in Her Honor, ed. Paul-André
Bempéchat
(Edward Rutschman)
175-178
Sir
Arthur Sullivan 's Grand Opera Ivanhoe
and Its Musical Precursors:
Adaptations of Sir Walter Scott's
Novel for
the Stage,1819-1891
by Jeff S. Dailey (Ronald
Cross)
178-180
Understanding
the Women of Mozart's Operas, by Kristi Brown-Montesano
(Mark Herman)
180-182
Divas
and Scholars: Performing Italian Opera, by Philip Gossett (Peter
Laki)
183-185
Music
and Revolution: Cultural Change in Socialist Cuba, by Robin D. Moore
(Alira Ashvo-Muñoz)
185-188
Olivier
Messiaen 's System of Signs: Notes Towards Understanding His Music,
by Andrew Shenton (Rachel
Bergman)
188-190
Corrigenda
to Volume 15
191-193
Contributors
to this Volume
194-195
Style
Sheet and Guidelines for Contributors
196-198
|
|
|
15
|
2005-2006
|
Don Giovani: Models
and
Reproductions,
by
Candelas
Gala
1-22
Strains
of Elvish Songs and Voices: Victorian Medievalism, Music, and Tolkien,
by Brad Eden
23-37
Rich
in Love: Images and Perspectives in the Songs of David Roth, by Lisa
Wersal
39-52
"Do
You Think You Have a Choice? — Forget "Power to the People":
Hyper-reality,
Hegemony, and Consumerism in R &
B and
Alternative Rock, by Julie
Goodspeed-Chadwick
53-55
From
Purcell to Albeniz: Merlin at the Opera, by Anne Berthelot
57-66
Malory
Meets Wagner in Madrid:
Albéniz's Merlin and the
Mythologizing of Arthur,
by
Robert
S.
Haller
67-78
Marcabru
and the Foundations of Modern Song, by Edward Green
79-101
"Anywhere
Out of the World": Escapism in Baudelaire-Duparc 's "L'Invitation
au voyage" by Angélica Minero Escobar
103-125
REVIEWS
127-136
Opera
and the Novel: The Case for Henry James, by Michael Halliwell
(Mark Herman)
127-129
An
Introduction to the Study of Medieval Latin Versification, by Dag
Norberg
(Charlene Shipman)
130-131
Das
italienische Oratorium 1625-1665: Musik und Dichtung,
by Christian Speck (Edward Rutschman)
131-133
The
Culture of Opera Buffa in Mozart's Vienna,
by Mary Hunter
(Bertil van Boer)
133-136
|
|
|
14
|
2004
|
Jacques
Leguerney: Nearly Forgotten Contributor to the French Mélodie Tradition
Worthy of Revival, by David Sannerud
3-15
Trespassing
the Boundaries of Decent Discourse: Sex in the Early Madrigal,
by Alexandra Amati-Camperi
17-38
Paralyzed
by Perfection(ism): Brahms's Search for the Ideal Opera Text,
by Mary I. Ingraham
39-70
"The
distant music mournfully murmereth. . . ": The Influence of James Joyce
on
Irish
Composers, by Axel Klein
71-94
REVIEWS
95-108
Music
Grooves:
Essays
and
Dialogues, by Charles Keil and Steven Field
(Betsy Bowden)
95-97
The
Court Musicians in Florence
During the Principate of the Medici, with a
Reconstruction of the Artistic
Endowment,
by Warren Kirkendale
(Edward Rutschman)
97-102
Luisa
Tetrazzini: The Florentine Nightingale, by Charles Nelson Gaffey
(Gloria Allaire)
102-104
Opera:
A History in Documents, comp. Piero Weiss (Laurel Zeiss)
104-108
Lyrica
Society for Word-Music Relations By-Laws as approved 10/2004
109-114 |
|
|
13
|
2003
|
The
Music of Language in a Passage from Tannhäuser,
by Frank Lewin
3-8
Our
Second Movement (short story) by Martin Beheim-Schwarzbach
(translated
by Harmut Kaiser)
9-14
The
Interface of Literature and Music in Martin Beheim-Schwarzbach 's Short
Story
"Unser zweiter Satz" by Hartmut
Kaiser
15-28
The
Music of T. S. Eliot's Four Quartets, by
George Gopen
29-75
"Words
Susceptible to Music:" Versi sciolti in Mozart's Da
Ponte Operas,
by Laurel Zeiss
76-114
Review
Essay: John Cage: Composed by Academics, by Mark Nelson
An
essay-review
of
John Cage: Composed in America, by
Marjorie Perloff
and Charles Junkerman
115-122
REVIEWS
123-135
A
Handbook of the Troubadours, ed. F. R. P. Akehurst and Judith M.
Davis
(Mark Herman)
123-125
First
Intermissions: Twenty-One Great Operas Explored, Explained,
and
Brought to Life from the Met, by Owen Lee (Mark Herman)
126-128
W.
S. Gilbert: A Classic Victorian & His Theatre, by Jane W.
Stedman
(Mark Herman)
128-130
Antonio
Salieri and Viennese Opera, by John A. Rice and The
Culture of
Opera Buffa in Mozart's Vienna: A
Poetics of Entertainment,
by Mary Hunter (Laurel Zeiss)
131-135
|
|
|
12
|
2001-2002
|
Narrating
the Symbol: Jean Cras' Legacy of Song, by Paul-André Bempéchat
3-70
An
Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives, by Alan
Swanson
71-90
REVIEWS
91-120
Giovanni
Gabrielli (ca. 1555-1612): A Thematic Catalogue of his Music
with a Guide to the Source Materials
and
Translations of his Vocal Texts,
by Richard Charteris (Bertil van
Boer)
91-94
Gluck
and the French Theatre in Vienna, by Bruce Alan Brown
(Bertil van Boer)
95-98
Orlando
di
Lasso
's
Magnificats
for
Counter-Reformation
Munich,
by David Crook (Alejandro Planchart)
98-110
Ballet
de la Jeunesse, by Michel-Richard Delalande (Bertil van Boer)
111-113
Mozart:
A Musical Biography, by Conrad Küster (Bertil van Boer)
113-116
Disembodied
Voices: Music and Culture in an Early Modern Italian Convent,
by Craig A. Monson (Gloria Allaire)
116-120
|
|
|
11
|
2000
|
Veiled
Messages and Encoded Meanings: Exoticism, Verdi and Women's Lower
Voices, by Naomi André
1-22
Operatic
Sound and the Aural Unconscious, by Jeremy Tambling
23-38
The
Lai in Remede de Fortune, by William
Calin and Lawrence Earp
39-75
Circulatio as Tonal Morpheme in the
Liturgical Music of J. S. Bach, by Tim Smith
77-88
Parody
and Politics: The Dramaturgical Integration of the Arts in Brecht's Schweyk,
by Ellen Gerdeman-Klein
89-114
Notes
on Performativity and Mood in Le Mariage
de Figaro and Le Nozze di Figaro,
by Downing Thomas
115-131
Celluloid
Butterfly, by Gillian Steinberg
133-144
Suite
For Three (songs), by Lois W. Parker
145-151
|
|
|
10
|
1999
|
Special Issue: Music
and Literature
Literature
and Music / Music and Literature, by Patricia Stanley
3-15
Jazz
in Words: A Literary Medley, by James Maynor
16-29
F.
Scott Fitzgerald's Use of Jazz in The Great Gatsby, by Terri Tomaszek
30-48
The
Spellthrower Sonata (a drama), by Lisbeth Herer
49-61
A
Tango in the Dark: Enrique Morente's Modern Flamenco Version of San Juan
de la Cruz's "Cantar del alma que se
huelga de conocer a Dios por fe,"
by Barbara J. Brunner
62-76
Music
as Theme, Symbol, and Structural Model in Willi Bredel's Novella "Spring
Sonata" by Hartmut M. Kaiser
77-95
Introducing
Wallace Stevens as "Peter Quince at the Clavier": A Debut Performance
of
Stravinsky's Rite of Spring, by David
Linebarger
96-122
Errata:
The Neurobiology of Lyricwriting Style: Summary by Sheila Davis
123-126
|
|
|
9
|
1998
|
Proceedings of the
First International
LYRICA Conference
Editor's
Comments
3-4
|
|
|
|
Burning Bright Burns
Brightly
as an
Opera, by Robert Morsberger
5-12
|
 |
|
|
Keynote:
Transformations of the Poetic Text in Italian Baroque Opera,
by Irène Mamczarz
13-32 |
 |
|
|
Session:
Opera and Text before 1800
33-78
|
|
|
|
Manon
Lescaut: Literary Shadow and Operatic Form, by Herbert Josephs
33-40
|
 |
|
|
Roles
of
the
Chorus
in
17th-Century
Opera,
by
Perry
Gethner
41-49 |
 |
|
|
Andromeda
Plight
to
the
Rock:
Textual
Variations
on
a Lamento,
by Benoît Bolduc
50-66
|
 |
|
|
Musical
Theater
in
Colonial
Mexico,
by
Pamela
H.
Long
67-78 |
 |
|
|
The
Neurobiology of Lyricwriting Style: Summary, by Sheila Davis
79-80
|
 |
|
|
Session:
Drama into Opera / Music in Drama
81-128
|
|
|
|
Verdi
and
Romani's Un giorno di regno: Better than
Reputed, by Ronnie Apter
81-89
|
 |
|
|
"Eros
is
in
the
Word":
Music,
Homoerotic
Desire,
and
the
Psychopathologies
of Fascism or, The "Strangely
Fruitful
Intercourse" of Thomas Mann and
Benjamin Britten, by Daniel Fischlin
91-128 |
 |
|
|
Session:
Shakespeare
129-156
|
|
|
|
Sound
and
Sense
in
Drama:
The
Word-Music
Connection
in
Stage
Plays,
by James Conely
129-138
|
 |
|
|
Ringtime:
Sexual
and
Musical
Play
in As You Like It, by Jacquelyn
Fox-Good
139-156 |
 |
|
|
Session:
Theory & Song
The
Dramaturgic
Analysis
of
Opera:
A
Helpful
Little
Tool,
by
Irving
Godt
157-173
|
 |
|
|
Program:
American Song Settings of Emily Dickinson, Deborah Bussineau, Soprano,
Ruth Friedberg, Pianist and Lecturer
174
|
 |
|
|
Reviews
The
Madrigal, by Jerome Roche (Gloria Allaire)
175-178
Language,
Music and the Sign: A Study in 'Esthetics, Poetics and Poetic
Practice from Collins to Coleridge,
by
Kevin Berry (Daniel Fischlin)
178-185
Elizabethan
Lyric Poetry and its Music, by Winifred Maynard, (Daniel Fischlin) 186-192
Bach
en
het
getal
(Bach
et
le
Nombre),
by
Kees
van
Houten
and
Marinus
Karbergen, and Bach and
the Riddle of the Number Alphabet,
by Ruth Tatlow (Tai Wai Li)
193-196 |
 |
|
|
Reviews
The
Don Juan Legend before Mozart, by Charles C. Russell (Perry Gethner)
197-199
Don
Giovanni: Myths of Seduction and Betrayal, ed. Jonathan Miller
(Carl Goldberg)
199-201
Gustav
Ill and the Swedish Stage: Opera, Theatre, and Other Foibles,
ed. Bertil H. van Boer, Jr. (James Conely)
201-205
The
Nineteenth-Century German Lied, by Lorraine
Gorrell (Harold Slamovitz)
205–209
The
Bel Canto Operas of Rossini, Donizetti and Bellini, by Charles
Osborne,
and The Viking Opera Guide, ed. Amanda
Holden (Patricia B. Brauner)
209-217 |
 |
|
|
Reviews
Musica
Ficta: Figures of Wagner, by Philippe Lacoue-Labarthe
(Lawrence
Kramer)
217-220
The
Teutonic Mythology of Richard Wagner 's "The Ring of the Nibelung,"
by William O. Cord (William
G.
Wallis)
220-223
Verdi:
A Biography, by Mary Jane Phillips-Matz (Charles Affron)
223-226
Verdi
at the Golden Gate, by George Martin
(Thomas G. Neumiller)
226-229
Music
in the Theater: Essays on Verdi and Other Composers,
by Pierluigi Petrobelli (Herbert
Josephs)
229-233
La
Tosca (The Drama behind the Opera), by Victorien Sardou, tr. and
ed.
by W. Laird Kleine-Ahlbrandt
(Herbert Josephs)
233-237
Modern
Languages for Musicians, by Julie
Yarbrough (Mark Herman)
237-240
|
 |
8
|
1994
|
From
the Editor's Desktop
3-4
|
 |
|
|
Marsyas,
or the Supremacy of Music (poem), by Joseph Tusiani
5-12
|
 |
|
|
Orpheus
in Opera
Overview,
by
Peggy
M.
Simonds
13-15
|
 |
|
|
Reason
and
Emotion
in
Haydn's L'anima del Filosofo ossia Orfeo ed
Euridice ,
by William E. Grim
17-24
|
 |
|
|
Mythic
Structure
in
Offenbach's Tales of Hoffmann: Orpheus
and the Muse,
by Stella P. Revard
25-32 |
 |
|
|
Passion
Unbound:
Orpheus
and
Eurydice
Romanticized
in
Puccini's La
bohème,
by Peggy Muñoz Simonds & Roger
T. Simonds
33-42 |
 |
|
|
"'Happily
Ever After": The Criticism of Stephen Sondheim
43-92
|
|
|
|
Overview,
by
Sandor
Goodhart
43-48
|
 |
|
|
The
Funeral
of Follies: Stephen Sondheim and the Razing
of American Musical
Theater, by Ann Marie McEntee
49-62 |
 |
|
|
"Every
Day
a
Little
Death":
Sondheim's
Un-Musicaling
of
Marriage,
by Kay Young
63-74
|
 |
|
|
Maternity,
Madness,
and
Art
in
the
Theater
of
Stephen
Sondheim,
by Allen W. Menton
75-92
|
 |
|
|
Shakespeare's
"It was a Lover and His Lass": The Authentic Music and Its
Performance
by Douglass Seaton
93-104
|
 |
|
|
Les
Ballets franco-italiens de Lully: Leur importance pour la formation de
son
style,
by Denise Launay
105-122
|
 |
|
|
Phantasmal
Orchestras: Incidental Music in Under the
Greenwood Tree and Far From
the Madding Crowd, by W. Eugene
Davis
123-134
|
 |
|
|
Hymnodic
Revision: Editorial License or Intellectual Laziness? by Samuel J. Rogal
135-148
|
 |
|
|
Review
Essay, by Brian Watson
147-157
(Roy
Palmer, The Sound of History: Songs and
Social Comment; Clark Haller,
For
Democracy, Workers, and God: Labor Song-Poems and Labor Protest;
Robbie Lieberman, "My
Song
Is
My
Weapon":
People's
Songs,
American
Communism, and the Politics of
Culture,
1930-50)
|
 |
|
|
REVIEWS
158-198
Singing
for Survival: Songs of the Lodz
Ghetto, 1940-45, by Gila Flam
(Mark Herman)
158-162
Memory
and Re-Creation in Troubadour Lyric, by Amelia E. Van Vleck
(Amy Wygant)
163-166
"Goostly
Psalmes
and
Spirituall
Songes":
English
and
Dutch
Metrical
Psalms
from Coverdale to Utenhove 1535-66,
by
Robin
A.
Leaver
(Ian
Sloan)
166-168
The
Oratorio in Modena,
by Victor Crowther (Gloria Allaire)
168-171
Opera
Seria and the Evolution of Classical Style 1755-1772,
by Eric Weimer
(Gloria Allaire)
171-174
Les
Saint-Simoniens et la musique, by Ralph P. Locke (William Cloonan)
174-176
Music
as Cultural Practice: 1800-1900, by Lawrence
Kramer
(Elaine Hoffman Baruch)
177-180
The
Faust Legend in Music and Literature, Vol. 2, by William E. Grim
(Kristie A. Foell)
180-184
George
Bizet: "Carmen" by Susan McClary (Herbert Josephs)
185-188
Hugo
Wolf's Lieder and Extensions of Tonality, by Deborah J. Stein
(Jeff Newberry)
188-190
Poetry
as Text in Twentieth-Century Vocal Music: from Stravinsky to Reich
by Joseph Coroniti (James Conely)
190-193
A
General Introduction to Hymnody and Congregational Song,
by Samuel J. Rogal (Douglas Murray)
193-195
The
Queen's
Throat:
Opera,
Homosexuality,
and
the
Mystery
of
Desire,
by Wayne Koestenbaum (Marilyn R.
Farwell)
196-198 |
 |
|
|
Errata
199-200
|
 |
7
|
1993
|
In Memoriam:
Sarah Jane
Williams
Sarah
Jane Williams: In Memoriam, by Jean Harden
2-4
|
 |
|
|
The
Lyrics of Machaut's Voir Dit:
"Voir" and "Veoir," by Sarah Jane Williams
7-15
|
 |
|
|
Machaut's Voir Dit as
Game,
by James I. Wimsatt
17-24
|
 |
|
|
On
Re-Creation in Medieval Music: Some Melodic and Textual Relationships
among
Gloria Tropes, by Mark A. Leach
25-46
|
 |
|
|
Eustache
Deschamps and his Double: Musique
Naturele and Musique Artificiele,
by Robert Magnan
47-64
|
 |
|
|
The Exile of Reason: The
Dramatic Use of Emotion in the tragedie lyrique,
by
Buford
Norman
65-74
|
 |
|
|
A
Systematic Classification for Madrigalism, by Irving Godt
75-81
|
 |
|
|
Music
as Metaphor in Herbert's Poetry, by Roy E. Aycock
82-92
|
 |
|
|
The
Dramatic Use of Songs in Federico Garcia Lorca's Yerma,
by Dennis A. Klein
93-105
|
 |
|
|
Sounding
the Sirens Again: An Evaluation of Musical Structures in the Sirens
Chapter of Ulysses,
by James Conely
107-116
|
 |
|
|
Igor
Stravinsky in the Pantheon of the Moderns, by Rose A. Zak
117-124 |
 |
|
|
REVIEWS
125-146
Music,
Mode and Words in Orlando
di Lasso's Last Works,
by Robert C. Luoma (John Duffy)
125-129
Emily
Brontë and Beethoven: Romantic Equilibrium in Fiction and Music,
by Robert K. Wallace (James Conely)
130-132
The
Faust Legend in Music and Literature, by William E. Grim
(Kristie A. Foell)
132-138
The
Angel's Cry: Beyond the Pleasure Principle in Opera, by Michel
Poizat
(Carl Goldberg)
138-140
Wagner
in Thought and Practice, by Geoffrey Skelton (Nichole Gantshar)
140-144
Musicians
Wrestle Everywhere: Emily Dickinson and Music,
by Carlton
Lowenberg (Laura Feitzinger Brown)
145-146 |
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|
Members'
News
147-150
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|
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|
A
Memorial Tribute to Howard Mayer Brown, by Frank Tirro
151-152 |
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6
|
1992
|
Pedagogy
3-24
|
|
|
|
Teaching
Poetry
Through
Song,
by
Leslie
Dunn
3-17
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|
|
Teaching
Music
and
Fiction:
Austen
and
Mozart,
Brontë
and
Beethoven,
by Robert K. Wallace
18-24
|
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|
|
Teaching
Poetry
and
Opera,
by
C.
J.
Gianakaris
25-33
|
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|
|
Faust
34-62
|
|
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|
Overview:"The
Demonic
Pact":
The
Faust
Myth
in
Music
and
Literature,
by Marcia Green
34
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|
|
Devilish
Bargains,
by
Robert
Scholes
35-40
|
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|
|
Die
Frau
Ohne
Schatten: A Feminist Faust, by Max F. Schulz
41-47
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|
Faust
as
Magician:
The
Demonic
Pact
in Doktor Faust, by William E. Grim
48-54
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Faustian
Modulations:
Boito
and
Pynchon,
by
Marcia
Green
55-62
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|
The Magic Flute
56-86
|
|
|
|
Auden
and
Opera:
The
Poet's Magic Flute, by Kathy Rugoff
63-71
|
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|
|
Mozart's
Opera
and
G.
L.Dickinson'
s
"Fantasia," The Magic Flute:
A Comparison, by Hartmut
Kaiser
72-86
|
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|
|
Justus
Friedrich Wilhelm Zachariä's Die Pilgrime
auf Golgotha: A Passion Oratorio
Libretto, by Bertil H. van Boer, Jr.
87-102
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|
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REVIEWS
The
Tuning of the Word, by David Michael Herz (William E. Grim)
103-104
Literature,
Painting and Music, by Peter Egri (William E. Grim)
105-106
Opera,
or the Undoing of Women, by Catherine Clement (Leslie Dunn)
105-111
Masters
of Contemporary Brazilian Song, by Charles A. Perrone
(Leopoldo M. Bernucci)
111-115
|
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|
|
Members'
News
116-121 |
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5
|
1989
|
Special Issue: The
Lyrical Arts, A
Humanities Symposium
Introduction
7-10 |
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|
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Program
11-12
|
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|
|
Early
Greek Lyric: One Voice and Many, by Anne Pippin Burnett
13-28
|
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Intrinsic
Music in the Medieval Chinese Lyric, by Shuen-fu Lin
29-54
|
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|
|
Rhythmic
Form in Twentieth Century American Lyric, by Paul Diehl
55-70
|
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|
|
Catullan
Kisses: A Study in Passion, by Helena Dettmer
71-82
|
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|
|
The
Lyre and the Liar in the Lyric Poetry of the German High Middle Ages,
by Judith P. Aikin
83-105
|
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|
|
The
Afro-Caribbean Sorrow Song: Transmission and Transformation,
by Bernadette Cailler
107-139
|
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|
|
Lyricism
and Dance, by Carol Horwitz
131-134
|
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|
|
Photography
and the Lyric, by Roger Aikin
135-147
|
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|
|
Conference
Themes and Variations, by Donald G. Marshall
149-156 |
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4
|
1988
|
Musique
et Théâtre dans la Psychologie des Peoples, by Marc-Henri Mainguy
2-6
|
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|
|
When
the Message Becomes the Medium: Text-Music Relationships in the Avant-
Garde,
by
Ruth
A.
Solie
7-18 |
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|
|
Questions
of Quantity: Some Difficulties in Translating Opera for Performance in
English, by Ronnie Apter
19-28
|
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|
|
Cognitive
Experiments on the Relationship between Melody and Text, by Mary
Louise
Serafine
29-36
|
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|
|
Lyrics
(Song Text) as Lyric (Poetry): The Case of Brazil, by Charles A. Perrone
37-45
|
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|
|
Athalie,
Oratorio, by Françoise Siguret
47-60
|
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|
|
"At
Auschwitz They Hanged Men to Waltzes":
Dramatic Song in Theory and Practice,
by Elizabeth Hale Winkler
61-71
|
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|
|
REVIEWS
73-94
Music
and Poetry: The Nineteenth Century and After, by Lawrence Kramer
(Barbara Turchin)
73-76
The
Experience
of
Songs, by Mark W. Booth (Mimi S. Daitz)
76-79
Opera
in the Development of German Critical Thought, by Gloria Flaherty
(William E. Grim)
79-80
The
Schubert Song Companion, by John Reed (Stephen Carlton)
80-83
Schubert
Studies: Problems of Style and Chronology, ed. by Eva Badura-Skoda
and Peter Branscomb (Stephen Carlton)
83-86
Thumbnail
Reviews, by Louis E.
Auld
87-94
American
Art
Song and American Poetry, vol
3: The Century Advances,
by
Ruth
C.
Friedberg; English Renaissance
Song, by Edward Doughtie;
The
Craft of Lyric Writing and Successful
Lyric Writing, by Sheila Davis;
Music
and Language, by Thrasybulos Geordiades, tr. Marie Louise Göllner
|
 |
|
|
Members
95-106
Members'
News
95-100
Membership
List
101-106
|
|
3
|
1986
|
From
the Editor, by Louis E. Auld
iii-v
|
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|
|
Mozart
as a Reader of Poetry: A Reconsideration of His Songs, by Douglass
Seaton
1-22
|
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|
|
A
Rondeau with a One-line Refrain Can Be Sung, by Howard Mayer Brown
23-35
|
 |
|
|
A
Note on Ithamore's Song in The Jew of Malta, by
John Cutts
37-46
|
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|
|
In
Memoriam John Duke, by Ruth C. Friedberg
47-48 |
 |
|
|
REVIEWS
49-74
Music
Theory: Special Topics, edited by Richmond Browne [rev. Ruth A.
Solie]
49-53
Of
Wines
&
Bottles:
Some
Recent,
Noteworthy
Publications,
by
Louis
E.
Auld
54-74 |
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|
|
LYRICA
Business
75-76
|
|
|
|
From
the Editor's Desk, by Louis E. Auld
76-78 |
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|
|
Corrigenda
78 |
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|
|
Conference
Reports
79-83
Members
84-98 |
 |
2
|
1983
|
Letter
from the Editor, by Louis E. Auld
4-8
|
 |
|
|
Can a Rondeau with a One-Line
Refrain Be Sung?
by Howard Garey
10-21
|
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|
|
Text
and Context in Dichterliebe, by Lawrence Moss
24-38
|
 |
|
|
REVIEWS:
A new section
40-50
Reviews
in
preparation
40
The
Music
of
the
Medieval Church Dramas, by William Smolden
(Clyde
W.
Brockett)
41-50
|
 |
|
|
Membership
List
51-71
Business
72
|
|
|
|
From
the Editor's Desk: News, Notes, & Queries, by Louis E. Auld
73-77
|
 |
|
|
Conference
Announcements & Reports
76-77 |
 |
1
|
1980-81
|
Letter
from the Editor
4-8
|
 |
|
|
The
Significance of Song, by John Duke
9-21
|
 |
|
|
List
of Members
23-32
|
|
|
|
Business
33-42
Meetings
33-34
Elections
35
Proposed
By-Laws
36-42 |
|
|
|
From
the Editor' s Desk (News, Notes, & Queries), by Louis E. Auld
43-48
|
 |
|
|
Conferences
49-55
Announcements
49
Reports
51-55
|
 |
|
|
Report on the
Questionaire
56-60 |
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